EBSQ Friday Five

1. Little Girl Ponies – This recent painting by Angie Reed Garner caught my attention when I read her description, I tried to recreate one of the million endless pony drawings I did as a little kid. I grew up around horses and always had a sketchbook. I had a million endless pony drawings too.

2. June MOTM: Space & Time – Love this month’s mandala by Maureen Frank: This mandala reminds us that while it would appear that we each exist in our own little worlds, our own little “boxes”…in reality we are all the same and we are all connected.

3. Trying out an Idea – Took Gallagher is having fun in her studio this week. I love seeing an artist’s process! Check out this post and yesterday’s for an update.

4. Sell more Art – Delilah Smith has some interesting tips and thoughts on selling more art, something that’s not so easy to do in today’s economy.

5. Do you have a newsworthy blog post to share with EBSQ subscribers? Let me know about it in advance. Email me at: amanda[at]ebsqart[dot]com.

Have a great weekend!


Press Release: The Garner Narrative

EBSQ’s very own Angie Reed Garner, along with former EBSQer Kim Richardson, have an upcoming show in Louisville, KY, opening September 1st!

Angie Reed Garner, Kim Richardson to open Sept. 1 at garner narrative

garner narrative presents new paintings by Angie Reed Garner and Kim
Richardson. The show opens  Sept. 1  and runs through  Oct. 1  with
two receptions: Thursday Sept. 1 (preview) and Friday Sept 2 (Trolley
Hop), both 6-9pm.

Between Thoughts by Angie Reed Garner

Garner developed the expat series over four years of living in two
very different Islamic cities: Lahore, Pakistan and Abu Dhabi, United
Arab Emirates. The works combine saturated oil paint and textiles for
symbolic narratives of identity, struggle, and reconciliation. “It’s
one thing to move abroad and take snapshots, try to explain what it’s
like, and I’ve done my fair share of that. But with these paintings, I
share about my life on my own terms, as a visual thinker. The
expatriations have not been low-impact experiences! And how could they
be.  Louisville and Abu Dhabi are on opposite sides of the planet in
more than one way. It’s right there in the paintings, how I had to
stretch and change to cover that distance, learn to hold both places
at once… when I thought I might snap with the strain, and why I
ultimately didn’t.” Garner considers Louisville home, and lives most
of the year in Abu Dhabi.

Kim Richardson of St. Louis MO paints enigmatic oil portraits of the
self on found wood in her series, investigating the cries of crows.
Says Richardson, “I paint on discarded and weathered wood found almost
anywhere: alleys, streets, garages, backyards, someone’s woodshop. The
rough surfaces paired with a delicate style of painting allude to a
union of opposites. The imagery itself gives expression to the glamour
of emotions like love, kindness, charity and self-sacrifice happily
living side by side with uglier aspects of human nature like
intolerance, rigidity, fanaticism and brutality.”

garner narrative is located on the corner of Market and Clay Streets,
642 E. Market St. Hours are Wed-Sat, 1-6.

Print and web files available here:


Angie Reed Garner angiereed@gmail.com
Joyce Garner (502) 641-8086

EBSQ Blogger of the Week: Angie Reed Garner

This week’s EBSQ Blogger of the Week comes to us from across great blue sea, to share her wisdom and her rich (often symbolic) paintings. I only recently become more acquainted with this artists work when I happened up on her blog last month. I hope you enjoy her vivid images as much as I do!

Angie Reed Garner

Who and where are you?

Angie Reed Garner, Abu Dhabi, United Arab Emirates.

American Money by Angie Reed Garner
How did you get started art blogging?

I was living in Chicago showing in the gallery system. In 2001 the art market starved, after 9/11. Several of my galleries closed outright, two wonderful longtime dealers decided it was a good time to retire… I had no idea when things would pick up again, and somehow had to keep earning and the work growing.

I began making small paintings on wood– 4-5″ high– and carrying them around in a bookbag wherever I went, and showing them to anyone who would look. Then we’d talk about them, and often they would sell.

A lot of times I’d make a piece and sell it within a day or two, which was really exciting, but it also meant maybe nobody but me and the collector ever even saw the piece before it was gone. That was intimate but also a little sad.

Around that time someone told me about LiveJournal and sent me an invite. I put the two together and started blogging the pieces that I sold. I was playing with the idea that the collector completes the piece when they give it a home. This is literally true given my process because if a piece doesn’t sell, I often rework it to include what I’ve learned since it was first made. This can go on for years.m When someone takes a piece off my hands, then it is really done.

In a way I’ve had a bunch of different blogs since then, although I never ended the one blog– I just kept layering on. It’s been an expat blog and a place to discuss politics mostly as expressed in art.
Now I’m interested in it as a form of an open studio.

Going Home (detail) by Angie Reed Garner
Any tips for other EBSQ art bloggers?

It’s your blog, so the rules are what you choose. Set guidelines that suit you so you are a happy blogger, and expect to change them over time.

As my partner transitioned from grad student and researcher to university professor, that had implications for the blog. And now that more people read blogs, I’m far less likely to write about anyone but myself in mine because I’m protective of others. For myself I’m relatively fearless– exposing things that matter to me sort of comes with the job description– but knowing me shouldn’t mean that your business gets published. Touch wood I’ve done a good job with this or been lucky. I’ve been blogging for nine years now and had very few problems.

Hold These Truths by Angie Reed Garner
What’s your musical inspiration of choice when you’re working in your studio?

I take creative blocks seriously… as with any other kind of job, anything that potentially stops you from working is a major problem.

I used to block when I wasn’t sure I’d have a place to show paintings, as in “why am I making even more paintings the world does not want” but now I’m more confident that I can get the work up
on a wall somewhere. If I block these days, it’s because I’m emotionally overwhelmed (by life) when I step into that undistracted silence. Or I’m tired.

Music and talks are medicine for that… I pick whatever will support me that day. If I’m tired it’s dance music. If I’m overwhelmed, probably I’ll click on a talk about some aspect of meditation practice. Most of the problems artists have in their heads, people who meditate have faced them.

Sun Studies by Angie Reed Garner
What’s coming next from your easel?

Stop by the blog and see. I don’t exactly keep people guessing– it’s all there.


Thank you Angie for being an EBSQ Blogger of the Week!

If you are an EBSQ Artist and would like to be considered for Blogger of the Week just add us to your blogroll. I’m searching EBSQ profiles weekly for links to artist’s blogs. If you aren’t an EBSQ Artist, what are you waiting for?