Posts Tagged Artseen
Friday Five: At the Movies
Posted by Amie Gillingham in Artseen on April 5, 2013
Today’s Friday Five is a bit unconventional. In honor of Roger Ebert’s life and passing, we bring you five pieces inspired by a shared love of film:
Rest in peace, Mr Ebert. We’ll see you at the movies.
Artseen: May the 4th be with you!
Posted by Amie Gillingham in Artseen on May 4, 2012
The 4th with be with you. Always. Happy Star Wars Day from EBSQ!
Art Seen: The Washingtons in Miniature
Posted by Amie Gillingham in Artseen on February 20, 2012
Even if you don’t get to enjoy an extended weekend, we hope this President’s Day you’ll enjoy this gorgeous set of cameos done by EBSQ Artist (and watercolourist extraordinaire) Cathy Johnson, created for her brief stint as a limner (miniaturist) at Colonial Williamsburg in 1993.
Artseen: Be Mine
Posted by Amie Gillingham in Artseen on February 1, 2012
[View more Valentine Art at EBSQ]
Art Seen: Year of the Dragon
Posted by Amie Gillingham in Artseen on January 23, 2012
Today starts the fortnight celebrating the Year of the Dragon. According to the Chinese Zodiac, the Dragon embodies boldness, passion, and fiery independence.
Kung Hei Fat Choy!
Art Seen: The Day the Internet Blacked Out
Posted by Amie Gillingham in Artseen, Business of Art, openthread on January 18, 2012
An editorial note: none of these pieces were created to address today’s #StopSOPA protests. Nor did EBSQ have any obvious gallery pieces that addressed censorship in general (that wasn’t of the girly-bits variety, which would have diluted the message too much)
EBSQ did NOT “black out” today out of respect for our paying customers who depend upon our services. But I think as artists, this is a conversation we should probably be having. I personally (and professionally) oppose SOPA/PIPA. From what I’ve read and researched it goes too far in limiting our freedoms and doesn’t effectively address the issue of piracy, which many of our members have unfortunately experienced firsthand. So I bring it to you: Where does copyright protection end and censorship begin?
ArtSeen: When Irish Eyes are Smiling
Posted by Amie Gillingham in Artseen on March 17, 2011
Ok, so maybe your eyes aren’t technically Irish, but hopefully the following will make you smile:
Saturday Sampler–Men’s Edition
Posted by Amie Gillingham in Artseen on July 17, 2010
A sampling of our Freshest Art uploaded on 17 July 2010:
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Saturday Samper for 10 July 2010
Posted by Amie Gillingham in Artseen on July 10, 2010
A sampling of our Freshest Art uploaded on 10 July 2010:
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EBSQ Spotlight on Photography: Colour: Richard Holland
This month’s featured gallery is Photography: Colour. Photography lets us briefly stop time and capture tangible moments. Whether spontaneous or crafted, what our eyes see is frozen forever. When the photograph is in colour, we will always have the blue of the sky, the flush of a cheek, and every colour the world presents us. During the month of June, we are going to take a few moments to catch up with some of the EBSQ photographers that enjoy capturing the world in colour.
Richard Holland
I became interested in photography when I was about 16 years old…got my first SLR as a high school graduation present from my parents. Much to their dismay I spent the better part of my college years in the photo lab. I spent a couple of years learning the silver process (B&W) and developing a personal gum bichromate process (water colors) before moving on to color (long before the digital age).
I call myself a social landscape photographer, which is like photojournalism without the paycheck. I like to capture the truth in a person’s eyes, something they prefer you wouldn’t see; a soft spot. It’s there for a moment unguarded then jumps back behind the wall. I also enjoy performance photography: music, dance, sports. Nature is also a big draw. Stopping time in the flight of a bird or a bee. Enjoying the bloom of a flower. Helping others be moved by things they otherwise might not.
I feel color photography deals with reality. Black and white by its very nature manipulates the moment. I love both. – Richard Holland
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