Archive for category Howto
Shading Light and Form – Basics is another great video from Proko. If you’re not already subscribed to his channel you’re missing out on some great drawing resources.
1. Art Seen: Rose Pixie by Sara Burrier is a magical way to end the week!
2. Head’s Up: Next month is the start of our annual Think Pink Exhibit at EBSQ. Artists submit artworks that are predominately Pink along with a fee for the exhibit. The fee goes into a donation pool for Breast Cancer education, support, and early detection. Read about last year’s exhibit and see the art – Think Pink 2013.
3. Learning Resources: Art Tip #120 from EBSQ Artist Cathy Johnson – Working on Toned Paper: Cathy has some wonderful tips on her site. I’ll be sharing more in the weeks to come.
4. In the News: An Infamous Art Forger on His Most Convincing Works
5. Exhibits: We are nearing the last week of September. Have you entered in one or both of our September Exhibits? Member’s Choice receives a monetary award!
Sketching with a Brush Pen is one of many great free tutorials on YouTube by Scott Robertson. I’ll be sharing more tutorials from other artists on YouTube every Tuesday.
1. This week’s featured Friday Five artist is one of my favorites at EBSQ. Gretchen Del Rio’s Spirit Bear stands out on the EBSQ front page this morning.
3. Words can inspire and words can kill your spirit. Surround yourself with positive people. – Need a pick-me-up? Read Will Terry’s blog post: Don’t Let Them Crap on your Art.
4. Too incredible not to share – Artist’s newsagent shop made entirely from felt looks sew real – in pictures.
5. How to Draw the Figure in Charcoal with Steve Huston – Free HD Tutorial from New Masters Academy
1. For the last few weeks I’ve been posting winter/holiday artwork in the Friday Five. Can you guess what Luda Angel’s painting, Ballerina, brought to mind this morning?
2. How to Photograph your Paintings – Another gem from Muddy Colors.
3. December’s Mandala of the Month by Maureen Frank is titled Impedimenta–exploring the baggage that halts our creative progress.
4. Fate of Detroit’s Art Hangs in the Balance – Have you been following this story?
5. Artist Transforms Eyelids into Works of Art <– So cool!!
Ok, I admit it: this is a repost from last year. But the advice is just as timely. Get ready for 2013 with these 7 readiness tips.
Is your contact information up-to-date? Make sure we have your current private email address for lost password retrieval and public contact information for people who want to learn more about your art. We’ve often seen members post that they do commissions but don’t offer a contact method for potential buyers. If they can’t connect, you’ve lost a sale.
Are your website and blog addresses still correct? How about your eBay and Etsy IDs? Again, if we don’t have the right information, people aren’t going to be able to find you or your work at your preferred sales venues.
An addendum to the above: Have you linked to all of your current venues? And have you unlinked venues you no longer use? If you’re primarily selling at FineArtAmerica, but you only have a link to an abandoned eBay account, you’re squandering an opportunity to direct interested parties to work that’s currently available. We suggest you consider removing venues you aren’t actively using or maintaining. This includes placeholder websites and blogs that haven’t been updated in over a year.
When is the last time you took a serious look at your artist’s statement? Do you have a “Hi, I’m new,” message that you posted back in 2007 and simply forgot about? Or notes about your Spring cleaning sales from last year? Are you talking about your photography or sculpture when you’re now showing a portfolio full of abstract expressionism? Have you done any new shows or changed galleries? Don’t forget to add this new information to your CV.
Have your commission prices changed? If so, don’t forget to make these edits if you have pricing listed on your commissions page. Or maybe you don’t do commissioned work at all anymore–you can always turn off this feature by unchecking the “commissions available” box in your profile tools.
Are you showing your newest work? While we do have members that update their portfolio as soon as they have something new, others simply upload a handful of work when they join and forgeddaboutit, letting their portfolios collect cyber dust. When was the last time you added something new? Every time you add new art to your portfolio, that piece shows up on the front page of EBSQ, which in turn brings more people back to your portfolio. For best success, we strongly suggest you upload new work monthly, or even weekly. “Post and Pray” does not work.
Is it for sale? If so, you can add in a PayPal “buy it now” button directly in your artist statement. You’re also welcome to link directly to other venues where a specific piece might be available. (Just make sure you update your information if it’s already been sold!)
Have another great tip for getting your portfolio into shape? Please share it in the comments below!
PS Not yet a member? Grab a great deal on EBSQ Artist Memberships through 31 December 2012!
There’s been much debate on the EBSQ Member Forums of late about the quality (or lack thereof) of many recent show entries. And the quality issue has next to nothing to do with the art itself.
Let me explain:
1.) Does the piece meet the prospectus?
You’d be surprised how many members enter shows willy nilly. (Or maybe you wouldn’t be if you’re a regular EBSQ exhibit visitor.) Sometimes it’s a rookie mistake. Sometimes, people enter their work in the wrong show accidentally. Maybe they misread something in the prospectus, or latch onto the title of the show without bothering to read what it’s actually about. But other times, people enter something just because they can. The number one thing you need to ask yourself is:
Does your work logically belong in Show X?
If you’ve entered a piece of a happy cat in winter and the theme of the show is self-portraits, then no. Really, no. Just don’t do it. Unsure? Read the prospectus. Still unsure? Ask. Please.
Ok. So you’ve successfully mastered the number one rule of successful show entries. If you only do one step, this is the most important take away. But if you want to take yourself from appropriate to awesome, read on…
2) Did you include a statement that explains why you feel THIS particular piece belongs in THIS particular show?
Maybe you think your entry’s appropriateness is obvious. But we don’t live in your brain. Give us a little something about your piece as it pertains to the prospectus. This is all the more important if your piece is abstract or if your piece makes an unusual interpretation of the show guidelines. Pieces with relevant text are greatly preferred by members weighing in on this issue in the EBSQ Forums. I cannot overemphasize how important it is to include a quality artist statement. And the inclusion of text also makes your work easier to find both on our site and in search engines, so not including a piece-specific statement can actually be detrimental to your success on EBSQ. It’s food for thought!
3) This goes hand-in-hand with #2–Is your statement just a sales pitch?
We understand you want to sell your work. We agree that regular show participation is one of THE best ways to get your work seen on EBSQ, improving your chances of selling your work. But we’ve found that statements that are JUST a sales pitch are a big turn off. We recommend including a piece-specific statement, even if it’s short, before going into your pitch. This keeps regular show voters happy, and we’ve found this actually improves your odds of your work selling to that special someone who fell in love with your work in one of our shows. (Psst! This is also good advice for ALL of the work in your portfolio)
4) Is you piece presented in a professional manner?
Here’s where the more objective quality attributes come into play. Is your piece properly cropped? Is there glare? Is it in focus? It doesn’t matter if it’s the most brilliant portrait of Caesar ever painted and epitomizes everything about the prospectus, plus has a pitch-perfect artist statement included. If it’s not a quality jpeg, you’ve just shot yourself in the foot.
5) Is your piece any good?
Well…the show voters will certainly weigh in, but in the end, only you can answer that one!
So–did we miss anything? What do YOU think makes an exhibit entry stand out from the crowd in a good (rather than a cringe-worthy) way?