Open Thread: Staying an artist without losing your soul…or your shirt.

Back in July, my editorial dealt with what then looked like general tough times, rather than the serious economic crisis that now faces us. It’s three months later and I know so many of you (and us as well, to be quite honest) are struggling to make ends meet.  And in times like these, it’s hard to stay true to being an artist, particularly when it feels like you’re putting more into it than you’re getting back.  Since the proposed bailout legislation failed to pass in Congress earlier today, my original post seemed particularly apt and worth dusting off. July’s editorial offered the following coping strategies:

  • Work smaller. This may be a no-brainer. But if you haven’t tried it yet, it’s worth doing. Smaller art often takes less time to create. Less materials go into it, generally. Smaller art is cheaper to ship. And you might be able to offer this work at a much lower price point. ATC’s (Artist Trading Cards) and OSWOA’s (original small works of art, a 4 x 6 format) are quite popular with both artists and buyers right now. This could be a great way for a new collector to jump in and get an original from you now, which could lead to a larger purchase in the future. 
  • Offer reproductions.  Even if you don’t have the leisure time to crank out new work the way you used to, you can still make a fair living selling quality reproductions of your work. Imagekind does fantastic museum-quality prints at reasonable prices. You can order your own to resell at your leisure or have customers order directly through their website. It’s a great way to keep your work out there in circulation, and again, a print purchase now could lead to the purchase of an original at a later date. 
  • Make your art into something useful.  Along the lines of making reproductions available, why not also make your work available as a t-shirt via Spreadshirt? Or as a mug through sites like cafe press and zazzle? And again, this is a way to keep your previous work earning you some extra income even if you’re not able to create new work right now. 
  • Try a less expensive media Now, we’re not talking about downgrading to canvas board and student-grade paint. But if you work in metal, perhaps you might want to try a less-expensive alloy and use it in a creative way so it doesn’t feel like a compromise. Or maybe move to a series of drawings on gessoed paper instead of your large oils on gallery-wrapped canvas. Or take up photography. Try working with found/recycled materials. Anything to keep you creating.
  • But we know our ideas are surely the tip of the iceburg. Are you creating differently because of the current economic situation? What are your coping methods for staying solvent AND staying an artist? I look forward to continuing this much-needed conversation via comments for this post.

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    1. #1 by Ariane Goodwin on September 29, 2008 - 7:23 pm

      It may seem counter intuitive, but downtimes are excellent for increasing skills, both artistically and educationally.

      Now is the time you really need to know best practices for the promotion of your work. When the rest of the world is contracting, your willingness to expand will help you stand out.

    2. #2 by Joseph Callahan (espressojoe) on September 29, 2008 - 7:52 pm

      I just started collecting and making ATC’s and find it very rewarding. After months of excuses for not creating, now I have time/money to create every night!! I’m in love with these little gems!! And, to top it off, I can afford to BUY these little guys from my fellow artist friends and not break my tiny budget! :) It is a simple idea, but took a lot of convincing for me to start it.

      Now I can also try new techniques / experimentations, and if they don’t work, I’v only lost a small tiny piece of canvas! :) :)

    3. #3 by Amie Gillingham on September 29, 2008 - 7:52 pm

      @Ariane: that’s an excellent point! And it’s an idea I’ve seen resonating all over the internet today as the nation collectively discusses, “what the heck do we do now?” I can’t recall where I read this (Seth Godin’s blog, perhaps?) but it was stated that some of the biggest companies right now started in the aftermath of 9/11. Uncertain times can be ideal for taking that creative risk. Nothing ventured, nothing gained!

    4. #4 by Amie Gillingham on September 29, 2008 - 8:01 pm

      @Joe: I agree–small formats are great for experimentation!

    5. #5 by Erika on September 29, 2008 - 8:10 pm

      An excellent article! Definitely applicable to every venue – thanks!

    6. #6 by Lauren Abrams on September 29, 2008 - 8:21 pm

      I’ve always been a proponent of making art that is functional, even if marginally….now more than ever, if you can shift your thinking to a fine craft(which is just another medium, IMHO)then you’re on the right track….tee shirts and mugs are perfectly fine, but learning a craft that allows you to still do your “fine art” only on a new material is really fun and challanging….and profitable

    7. #7 by Mary Lu on September 29, 2008 - 8:56 pm

      I make jewelry, so small formats for me would translate to lower cost materials. I have experimented alot this year with patinas for brass. I love it and really, I started in it to keep my materials cost down, but now it’s one of my favorite options. So, my suggestion is to try out different materials.

      Recylce and repurpose is another natural for me. Go green and your costs will be lower. It can add another dimension of meaning and discovery to your art as well.

      I was already planning on going to school soon to increase my jewelry making skills. Now I feel it’s the perfect time. Besides learning bench jeweler skills, I’m going to concentrate on learning repairs. I’ve noticed more and more people come to me this year with repair requests. If you make some type of art where you can do repairs or reframing, maybe you can offer that service.

      Those who are more skilled could think about teaching some workshops as an option too.

      Good luck everybody!

    8. #8 by Noelle Hunt on September 30, 2008 - 6:50 am

      REDUCE REUSE RECYCLE
      I have recently been doing more art with found objects. Remaking things which are cheap or thrown away into something “beautiful” I’ve done a whole series of “Lil’ Blockheads” using children’s blocks that I was gifted from a school.They were planning on throwing them away. I’ve been painting on vintage purses that were damaged so they were un-usable in that state. For years I’ve used dollar store dolls to create OOAK Altered art dolls. My main goal has been keeping stuff out of landfill, but the fact the stuff is cheap doesn’t hurt. ;)

    9. #9 by David Adams on October 10, 2008 - 7:09 am

      If anyone would like to know more about artist trading cards and their history, or how to make artist trading cards, they may also be interested in a couple of articles that I’ve written.

    10. #10 by Marie Mella on October 19, 2008 - 4:40 am

      excellent !
      collectors might also find that they can start with smaller artworks
      and … perhaps come later to larger paintings !

    11. #11 by quatrerve on December 4, 2008 - 3:02 pm

      I am here at a forum newcomer. Until I read and deal with the forum.
      Let’s learn!

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